8.6 |
The gore that came to characterize Romero's later entries is restrained here, most likely due to budget limitations. This strengthens the picture and draws more attention to the psychological horror of "other people." Thankfully the film favors character and drama rather than overt satire and in the process addresses deep-seeded human fears. The obvious fears at play are the horror and claustrophobia of other people and the horror in trusting mass media. The segment focusing on the latter is the weakest part of the film, halting the action to play a film-within-a-film. In my opinion, the strongest message of the film (other than the ending) involves the main characters being visited by their loved ones from beyond the grave. In both instances, these characters succumb to their attackers-in-disguise, providing an interesting commentary on the universal fear of death.
All deep meanings and satire aside, the film is well-directed, and full of both good and bad performances. Pieces are downright haunting and the minimalist photography and sound heighten the reality of the picture. Its one of the greatest independent horror films ever made and its legacy will continue to haunt audiences from beyond the grave.
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